Return to Seoul

Return to Seoul

2022119 min
6.3/10
Drama

Plot Summary

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.

▶️Watch Now

Official trailer from TMDB

👥Cast (42)

Park Ji-Min

Park Ji-Min

Freddie

Oh Kwang-rok

Oh Kwang-rok

Father

Guka Han

Guka Han

Tena

Kim Sun-young

Kim Sun-young

Aunt

Yoann Zimmer

Yoann Zimmer

Maxime

Louis-Do de Lencquesaing

Louis-Do de Lencquesaing

Andre

Heo Jin

Heo Jin

Grandmother

Son Seung-beom

Son Seung-beom

Dongwan "French-speaking friend"

Kim Dong-seok

Kim Dong-seok

Jiwan "The boy with the fringe"

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Emeline Briffaud

Lucie

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Lim Cheol-hyun

Kay-Kay

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Myung-hee Chung Lee

Hammond Employee in Seoul

🎬Crew

Director

Davy Chou

Writers

Davy Chou

Producers

Charlotte Vincent, Katia Khazak, Christophe Hollebeke, Diana Paroiu

🖼️Gallery (13 images)

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🏷️Keywords

identityadoptionfamily reunionjourneyfrench womaninternational adoptionseoul, south koreasearching for biological parentskorean culture

💬Reviews (1)

C

CinemaSerf

5/15/2023

I think I may have warmed to this film better had I not taken an instant dislike to "Freddie" (Park Ji-min). Now it's certainly a testament to this actor that she is able to successfully - and pretty immediately - engender a sense that her character is a rather selfish, manipulative and unpleasant individual; but I'm afraid I struggled to remain engaged as her troubled story of adoption and of her re-introduction to her birth family is played out over the next two hours. "Freddie" appears to have been happily brought up by a couple in France, so her increasingly thoughtless behaviour doesn't really have an anchor - and as we progress and she becomes more obnoxious - as exemplified by her final scene in the car with poor old "Maxime" (Yoann Zimmer) - I found the story has just about run out of merit. The acting is generally good. The efforts from her slightly dipso dad (Oh Kwang-rok) is convincing as he has to reconcile the discovery of his long-lost daughter with his dependency on the bottle and her own pretty obvious disdain for the man. It also offers us quite an interesting insight into just how adoptions worked as the decline of the French colonial system in post-war Korea led to many children being offered by parents who hoped that a childhood and education in France would offer greater opportunity, but again with "Freddie" that isn't really developed. What has turned her into this rather objectionable person is rather left aside. It has an element of "be careful what you wish for" to it, and is, at times, an interesting observation on the stresses of the post-adoption processes but I just didn't like or care about her and so my enthusiasm just waned.

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Production Companies

Aurora Films
Vandertastic Films
Frakas Productions
Visual Walkabout
MereCinema