The Big Caper

The Big Caper

195784 min
6.2/10
DramaThrillerCrime

Plot Summary

A con artist moves into a small town to spearhead a payroll robbery.

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🎬 Demo Trailer

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👥Cast (11)

Rory Calhoun

Rory Calhoun

Frank Harper

Mary Costa

Mary Costa

Kay

James Gregory

James Gregory

Flood

Robert H. Harris

Robert H. Harris

Zimmer (as Robert Harris)

Roxanne Arlen

Roxanne Arlen

Doll

Corey Allen

Corey Allen

Roy

Paul Picerni

Paul Picerni

Harry

Patrick McVey

Patrick McVey

Sam Loxley

No Image

Florenz Ames

Dutch Paulmeyer

Louise Arthur

Louise Arthur

Alice Loxley

Roscoe Ates

Roscoe Ates

Falkenburg

🎬Crew

Director

Robert Stevens

Writers

Martin Berkeley

Producers

William C. Thomas, Howard Pine

🖼️Gallery (3 images)

The Big Caper backdrop 1
The Big Caper backdrop 2
The Big Caper backdrop 3

🏷️Keywords

gas stationcon manfake identitygang leadercon artistfilm noirarsonarsonistdouble crossalcoholicpayroll robberycriminal gangbank heistbomb threatblown safe

💬Reviews (1)

C

CinemaSerf

3/13/2025

I quite liked the premise of this heist caper, as the down-at-heel “Harper” (Rory Calhoun) comes up with the idea of robbing a small bank that just happens to house the wages of a nearby military base. He can’t do it on his own, though, so taps up the ruthless “Flood” (James Gregory) for resources. There’s $1 million at stake here so he and his new investor’s gal “Kay” (Mary Costa) move into the town and pretend to be the married owners of the petrol station. It’s a friendly enough town, loads of chatty neighbours and family BBQs so the question is: will their sinister motives be spotted in a town where butter wouldn’t melt? Unfortunately, this doesn’t really come alive until the end, and then only just. For the main part, it’s more of a character study of their eclectic gang and of a quiet American township. “Roy” (a solid effort from Corey Allen) is the right-hand man whose obvious psychopathy is barely controlled by their boss; Zimmer” (Robert A. Harris) maybe has the most fun as everything he touches has to light up and/or go bang whilst Costa also delivers well with a bit more to her role than is often given to woman in crime thrillers. It is really the malevolence from “Flood” that steals the limelight, though, in the face of a rather soporific effort from an all-American Calhoun who barely imposes himself at all until he begins to wonder if they are doing the right thing then has no idea how to stop what he’s started. It’s a tight ship, with the direction tautly paced and few extraneous cast members to get in the way of the scheme and I think it passes eighty minutes quite interestingly - even if that is more to do with the underlying issues of right and wrong than of dynamite and car chases.

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Production Companies

United Artists