Rialto

Rialto

202090 min
6.2/10
Drama

Plot Summary

Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive figure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm’s world is falling apart around him. In the midst of this crisis, Colm finds a comfort that no one else can provide but Jay.

▶️Watch Now

🎬 Demo Trailer

📺 Demo Trailer: This is a demo trailer. In production, replace with actual movie embed URLs from MixDrop, Doodstream, or other streaming services.

👥Cast (17)

Tom Vaughan-Lawlor

Tom Vaughan-Lawlor

Colm

Tom Glynn-Carney

Tom Glynn-Carney

Jay

Monica Dolan

Monica Dolan

Claire

Sophie Jo Wasson

Sophie Jo Wasson

Kerry

Michael Smiley

Michael Smiley

Noel

Scott Graham

Scott Graham

Shane

No Image

Kervin Soobrayen

Saeed

Eileen Walsh

Eileen Walsh

Paula

Deirdre Donnelly

Deirdre Donnelly

Miriam

No Image

Deirdre Molloy

Caroline

No Image

Alexandra Smith

Grietje

Jane McGrath

Jane McGrath

Linda

🎬Crew

Director

Peter Mackie Burns

Writers

Mark O'Halloran

Producers

Tristan Goligher, Valentina Brazzini, Alan Maher, John Wallace

🖼️Gallery (10 images)

Rialto backdrop 1
Rialto backdrop 2
Rialto backdrop 3
Rialto backdrop 4
Rialto backdrop 5
Rialto backdrop 6
Rialto backdrop 7
Rialto backdrop 8

🏷️Keywords

lgbtgay theme

💬Reviews (1)

C

CinemaSerf

3/28/2022

Tom Vaughan-Lawlor ("Colm") is a forty something dock manager from the port of Dublin who has a scary encounter with a young man in the toilet of shopping centre and ends up being robbed. Next day the young man "Jay" (Tom Glynn-Carney") turns up in his office to extort even more from him. "Colm" has a drink problem, has recently lost his father, is facing redundancy and is trapped in a loveless (certainly sexless) marriage and has a diffident, recalcitrant son. All this contrives to drive him towards an emotionally addictive relationship with his erstwhile mugger. The whole thing is a bit rough around the edges, but the two leads perform strongly and we get a slight inkling as to what drove both men to where they are now. Don't expect a conclusion; there isn't one - and it does wallow a little in confused self-pity as only us Celts can - but it is worth a watch.

Read full review →

Production Companies

Cowtown Pictures
The Bureau
Fís Éireann/Screen Ireland