
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
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Herself
Måns Månsson
Ayedin Ronaghi, Måns Månsson
Måns Månsson
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