Dangerous Moves

Dangerous Moves

1984100 min
5.8/10
DramaThriller

Plot Summary

During the Cold War, the World Chess Championship clashed complete opposites - personal and political.

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🎬 Demo Trailer

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👥Cast (31)

Michel Piccoli

Michel Piccoli

Akiva Liebskind

Alexandre Arbat

Alexandre Arbat

Pavius Fromm

Liv Ullmann

Liv Ullmann

Marina Fromm

Leslie Caron

Leslie Caron

Henia Liebskind

Wojciech Pszoniak

Wojciech Pszoniak

Le grand maître Felton - l'équipe de Fromm

Jean-Hugues Anglade

Jean-Hugues Anglade

Miller, l'équipe de Fromm

Daniel Olbrychski

Daniel Olbrychski

Tac-Tac, l'équipe de Liebskind

Hubert Saint-Macary

Hubert Saint-Macary

Foldes

Michel Aumont

Michel Aumont

Stepan Ivanovitch Kerossian - l'équipe de Liebskind

No Image

Pierre Michaël

Yachvili

Serge Avédikian

Serge Avédikian

Fadenko

Pierre Vial

Pierre Vial

Anton Heller

🎬Crew

Director

Richard Dembo

Writers

Richard Dembo

Producers

Martine Marignac, Arthur Cohn

🖼️Gallery (2 images)

Dangerous Moves backdrop 1
Dangerous Moves backdrop 2

🏷️Keywords

chess

💬Reviews (1)

C

CinemaSerf

12/6/2025

Veteran communist grand master “Akiva” (Michel Piccoli) is in Geneva for the world chess championships against lapsed Soviet “Pavius” (Alexander Arbatt) and it’s quite a grudge match. He won’t even shake his opponent’s hand beforehand. It’s fairly clear that this older man has health issues, but his adversary is not without his own problems as his wife - whom he didn’t defect with - is now seeking a divorce and is soon a pawn of a different kind. With gamesmanship rife inside and outside the press-packed auditorium, this drama follows both men as it fills in some back story and tries to explain why the men are at a loggerheads - all amidst the politics of winning that was publicly crucial to both teams and their ideologies. If you remember the Spassky and Fischer contest from the early 1970s, you’ll appreciate just how much store was set by these intellectual versions of the Cold War and this tries to capitalise a little on those tensions, but the breakneck speed at which the games are played -  with little focus on the strategy or skill involved, leaves us devoid of much that is cerebral here. Instead it focuses more on the melodrama of their lives and with a production that lacks for much by way of imagination, I felt underwhelmed by both their characterisations and the undercooked political machinations that promised much, but that delivered little. It’s watchable enough, but I’ve seen more dangerous moves on a dance floor at 3am.

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Production Companies

Ministère de la culture