Night of the Eagle

Night of the Eagle

196290 min
โ˜…6.7/10
Horror

Plot Summary

A woman who may be a witch defends her husband from forces attempting to harm him.

โ–ถ๏ธWatch Now

Official trailer from TMDB

๐Ÿ‘ฅCast (15)

Peter Wyngarde

Peter Wyngarde

Norman Taylor

Janet Blair

Janet Blair

Tansy Taylor

Margaret Johnston

Margaret Johnston

Flora Carr

Anthony Nicholls

Anthony Nicholls

Harvey Sawtelle

Colin Gordon

Colin Gordon

Lindsay Carr

Kathleen Byron

Kathleen Byron

Evelyn Sawtelle

Reginald Beckwith

Reginald Beckwith

Harold Gunnison

No Image

Jessica Dunning

Hilda Gunnison

Norman Bird

Norman Bird

Doctor

No Image

Judith Stott

Margaret Abbott

Bill Mitchell

Bill Mitchell

Fred Jennings

Paul Frees

Paul Frees

Prologue Narrator (voice) (uncredited)

๐ŸŽฌCrew

Director

Sidney Hayers

Writers

Charles Beaumont, Richard Matheson, George Baxt

Producers

Samuel Z. Arkoff, Albert Fennell

๐Ÿ–ผ๏ธGallery (7 images)

Night of the Eagle backdrop 1
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Night of the Eagle backdrop 7

๐Ÿท๏ธKeywords

firehusband wife relationshipbased on novel or bookprofessortarot cardssupernaturalspidereaglegiant birdfireplacebird attackwitchcraftoccultrape accusationobscene telephone callcollege professor

๐Ÿ’ฌReviews (1)

J

John Chard

4/9/2014

The Devil: The Principle of Evil. Night of the Eagle (AKA: Burn, Witch, Burn!) is directed by Sidney Hayers and adapted to screenplay by Charles Beaumont, Richard Matheson and George Baxt from the novel "Conjure Wife" written by Fritz Leiber. It stars Peter Wyngarde, Janet Blair, Margaret Johnston, Anthony Nicholls and Colin Gordon. Music is by William Alwyn and cinematography by Reginald Wyer. Psychologist Norman Taylor (Wyngarde) is rocked when he discovers that his wife Tansy has been dabbling in witchcraft. She is adamant that it keeps them from harm and is the reason why his career is flourishing. Not convinced at all, Norman sets about destroying all of Tansy's paraphernalia and soon finds his life taking a drastic downturnโ€ฆ What is neurosis? A nerve-change, the physical basis of consciousness as distinguished from psychosis. This, the second of three adaptations of the Leiber novel to get the big screen treatment, is easily the best, a smouldering suspenser ripe with paranoia and atmospheric unease. Subtle in pacing, it's a marked lesson in gaining the most out of suggestion and understated story telling. Clearly not armed with a gargantuan budget, Hayers and his team rely on the strength of writing and acting to let this Eagle soar, and soar it does. Rites and Practice in Black Magic. The back drop is a place of academic studies, where the faculty indulge in get togethers, of drinks, snacks and card games, but this is all a false veneer. Lurking underneath is a veritable hot-bed of spitefulness, jealousies and bitter rivalries that come to the fore once the black magic forces of evil gather to destroy the Taylors. I do (not) believe. It builds with ambiguity lurking overhead, ensuring the belief system of Norman Taylor and the audience is constantly tested, and then the coiled spring is unleashed. The effects work may not be up to much, but it matters not, the impact is considerably suspenseful, even frightening. No gore or histrionics here, just damn great supernatural film making. 8.5/10

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