My First Mister

My First Mister

2001109 min
β˜…6.5/10
ComedyDramaRomance

Plot Summary

Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.

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Official trailer from TMDB

πŸ‘₯Cast (24)

Albert Brooks

Albert Brooks

Randall ("R")

Leelee Sobieski

Leelee Sobieski

Jennifer ("J")

Desmond Harrington

Desmond Harrington

Randy

Carol Kane

Carol Kane

Mrs. Benson

Mary Kay Place

Mary Kay Place

Patty (Nurse)

Michael McKean

Michael McKean

Bob

Rutanya Alda

Rutanya Alda

Woman at Apartment

No Image

Natasha Braisewell

Girl in Vintage

Henry Brown

Henry Brown

Jack Taylor (Salesman)

Gary Bullock

Gary Bullock

Mr. Smithman

Kevin Cooney

Kevin Cooney

Doctor

Nic Costa

Nic Costa

Blaine (Surfer Boy)

🎬Crew

Director

Christine Lahti

Writers

Jill Franklyn

Producers

Jane Goldenring, Carol Baum, Gerald Green, Anne Kurtzman, Mitchell Solomon

πŸ–ΌοΈGallery (3 images)

My First Mister backdrop 1
My First Mister backdrop 2
My First Mister backdrop 3

🏷️Keywords

high schoolfriendsmisfitteenage girlolder man younger woman relationshiprebellious youthgothicoppositesdivorced parentswoman director

πŸ’¬Reviews (1)

W

Wuchak

9/23/2025

**_Love is key to let down the mask and unite_** An alienated 17 years-old girl hiding behind piercings (Leelee Sobieski) applies for a job at a swank clothing store in a Los Angeles mall and starts an interesting relationship with the 49 years-old manager (Albert Brooks). But what’s the nature of their connection? The curiously titled "My First Mister" (2001) was Christine Lahti’s only directorial effort, as far as feature films go. It treads similar terrain as β€œLawn Dogs” from four years earlier and does it better. Like that film, a few scenes come across a little awkward or unconvincing but, for the most part, it works and is more effective by comparison. The best of these types of movies, of course, is β€œLost in Translation,” which came out two years later. Someone might balk that β€œLost” takes a different direction and that’s obvious, but it doesn’t change the fact that these flicks tackle similar themes. They explore the nature of a profound connection between members of the opposite sex from different generations. Is it a spiritual connection in the sense of father/daughter or is it a romantic connection? If it’s the former, does that automatically omit any and all feelings of the latter? Needless to say, love is a powerful emotion and when a β€˜love connection’ takes place, the participants have to be careful to channel such potent feelings in a positive direction. Otherwise, great destruction can occur. Be wise, my son; be careful, my daughter; and wonderful things can occur. As the proverb says, β€œLet love and faithfulness never leave you; bind them around your neck, write them on the tablet of your heart.” It runs 1 hour, 49 minutes, and was shot in the Los Angeles area, including Westfield Century City (mall), Venice and Santa Clarita. GRADE: B

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Production Companies

Firelight Films
Film Roman
Paramount Classics