Carry On England

Carry On England

197689 min
4.5/10
Comedy

Plot Summary

Captain S. Melly takes over as the new Commanding Officer at an experimental mixed sex air defence base. It's 1940 and England is under heavy bombardment, but the crew seem more interested in each other than the enemy planes above. Captain Melly plans to put a stop to all this, and becomes the target of a campaign to abandon his separatist ideals...

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🎬 Demo Trailer

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👥Cast (34)

Kenneth Connor

Kenneth Connor

Captain S. Melly

Windsor Davies

Windsor Davies

Sergeant Major "Tiger" Bloomer

Judy Geeson

Judy Geeson

Sergeant Tilly Willing

Patrick Mower

Patrick Mower

Sergeant Leonard Able

Jack Douglas

Jack Douglas

Bombardier Ready

Joan Sims

Joan Sims

Private Jennifer Ffoukes-Sharpe

Melvyn Hayes

Melvyn Hayes

Gunner Shorthouse

Peter Butterworth

Peter Butterworth

Major Carstairs

Peter Jones

Peter Jones

Brigadier

No Image

Diane Langton

Private Alice Easy

Julian Holloway

Julian Holloway

Major Butcher

David Lodge

David Lodge

Captain Bull

🎬Crew

Director

Gerald Thomas

Writers

David Pursall, Jack Seddon

Producers

Peter Rogers

🖼️Gallery (2 images)

Carry On England backdrop 1
Carry On England backdrop 2

💬Reviews (1)

C

CinemaSerf

7/21/2023

I'm afraid that by 1976, this franchise had well and truly run it's course - and this puerile and really quite tacky attempt at a wartime comedy put a final nail in it's coffin. Funnily enough, the innuendo-ridden character names look better on paper than they do when mentioned on screen - as illustrated by Kenneth Connor's lead character "Capt. S. Melly" who, alongside his sergeant-major "Bloomer" (Windsor Davies) spend their time trying to keep the men and women from their platoon from getting into any hanky panky. Trousers are constantly up and down, knickers fly from flagpoles, there are even tunnels used in attempt to lift this from the comedy doldrums but unfortunately they just don't work. It's way too predictable and the innocent cheekiness of the earlier films has been replaced by a rather crass degree of smuttiness that just makes this a bit crude. Joan Sims tries hard to bring back some semblance of the old days, but by the end you really do realise just how much better Messrs. James/Hawtrey/Williams and Hattie Jacques actually were at delivering a light-hearted comedy with an hint of naughtiness. I'd just give this a miss, sorry.

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