Four Days in July

Four Days in July

198496 min
β˜…6.4/10
DramaTV Movie

Plot Summary

Two couples, one Catholic, one Protestant, exist on two sides of the chasm that is everyday life in Northern Ireland.

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🎬 Demo Trailer

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πŸ‘₯Cast (13)

Brid Brennan

Brid Brennan

Colette

Des McAleer

Des McAleer

Eugene

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Paula Hamilton

Lorraine

Charles Lawson

Charles Lawson

Billy

B.J. Hogg

B.J. Hogg

Big Billy

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Adrian Gordon

Little Billy

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Shane Connaughton

Brendan

Eileen Pollock

Eileen Pollock

Carmel

Stephen Rea

Stephen Rea

Dixie McConville

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David Coyle

Mickey

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John Keegan

Mr McCoy

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John Hewitt

Mr Roper

🎬Crew

Director

Mike Leigh

Writers

Mike Leigh

Producers

Kenith Trodd

πŸ–ΌοΈGallery (2 images)

Four Days in July backdrop 1
Four Days in July backdrop 2

πŸ’¬Reviews (2)

P

Peter McGinn

1/13/2024

I realized I had watched this movie many years ago, as we have a lot of Mike Leigh's films, but though there were a few spots that sparked a memory, I didn't recall enough to spoil the pleasure of watching it this time. It is a quiet movie, especially considering that it takes place during the Irish "Troubles," and that seems to have ruffled some reviewers' feathers. Me, I am always up for a slow-paced movie as long as I like the characters and there is some subtle wit and humor included, which this movie had by the bucketful. The only two actors I recognized I like, who were Charles Lawson from Coronation Street and Stephen Rea. They were good, but actually the entire ensemble cast more than carried their weight in this interesting character study. as for those that say nothing happens; well, if you can't get into the mood for a quiet movie, perhaps you should swerve this one and find a juicy body count movie. I would suggest you use captions if they are available. they talk fast sometime in their distinctive Irish accents.

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S

SPDonlan

7/20/2024

A brief review, given the electoral changes that’re in it, in Norniron. With the last of his accomplished television films for the BBC, Leigh directs and, more impressively, writes with nuance on the sectarian divides of 1980s Belfast. Two couples – one unionist, one nationalist – are presented with evenhanded understanding, if not necessarily sympathy, before and after The Twelfth. With the best of British social realism, Leigh avoids the more romantic, didactic dualism of Loach/Laverty’s Irish films. The final scene is especially well-written and neatly directed. Come here to me, is there any chance of _Another Four Days in July_ (2025)?

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Production Companies

BBC