Between the Lines

Between the Lines

1977101 min
5.1/10
ComedyDrama

Plot Summary

The staff of the Back Bay Mainline, a Boston underground newspaper that rose to prominence in the 1960s, struggles with the shifting social climate of the '70s amid rumors that the paper is about to be sold to a media giant.

▶️Watch Now

Official trailer from TMDB

👥Cast (33)

John Heard

John Heard

Harry

Lindsay Crouse

Lindsay Crouse

Abbie

Jeff Goldblum

Jeff Goldblum

Max

Jill Eikenberry

Jill Eikenberry

Lynn

Bruno Kirby

Bruno Kirby

David

Gwen Welles

Gwen Welles

Laura

Stephen Collins

Stephen Collins

Michael

Lewis J. Stadlen

Lewis J. Stadlen

Stanley

No Image

Jon Korkes

Frank

Michael J. Pollard

Michael J. Pollard

The Hawker

Lane Smith

Lane Smith

Roy Walsh

Joe Morton

Joe Morton

Ahmed

🎬Crew

Director

Joan Micklin Silver

Writers

Fred Barron, David Helpern, Fred Barron

Producers

Raphael D. Silver

🖼️Gallery (3 images)

Between the Lines backdrop 1
Between the Lines backdrop 2
Between the Lines backdrop 3

🏷️Keywords

newspaperboston, massachusettsnewspaper officewoman director

💬Reviews (1)

C

CinemaSerf

4/20/2023

The twenty-something staff of the erstwhile quite radical newspaper "Mainline" are struggling to keep their work relevant as the 1970s give way to the 1980s. I don't know if anyone remembers a television drama called the "Paper Chase" (1973) but a lot of the style and characterisations of that film are reminiscent here. Young people trying to make their own way, defiantly trying to hold on to values and commitments that may be largely on the wain. The thing with this, for me anyway, was I found them all rather shallow and selfish. The combination of their working and social lives are presented in a fashion that is very, very, verbose. Why use one word when you can use eight? As the story drifts along, I felt less and less interested in the characters and their semi-comic antics and started to notice silly continuity errors - that wouldn't ordinarily matter - and to focus more on the tangential aspects of the film - the big collars, bell-bottom jeans - all the things I used to remember from "Starsky and Hutch". Maybe the fact that I'm not an American means that this Bostonian story of intellectual maturity and liberating camaraderie doesn't resonate in the same way - because I found this all rather dull. Will their newspaper be subsumed into a bigger, commercial, enterprise? Well at the start I hoped not, but by the middle I was indifferent.

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