
Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.
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Magdalena, Josette, The Angel of Death
Klara, Aline
Helena

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Andréa, Marie

Murderous soul
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Isolde

Franzl
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Werner Schroeter
Werner Schroeter
Margaret Ménégoz, Werner Schroeter
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