Holiday

Holiday

193091 min
6.2/10
RomanceDramaComedy

Plot Summary

A young man is torn between his free-thinking lifestyle and the tradition of his wealthy fiancée's family.

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🎬 Demo Trailer

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👥Cast (18)

Ann Harding

Ann Harding

Linda Seton

Mary Astor

Mary Astor

Julia Seton

Edward Everett Horton

Edward Everett Horton

Nick Potter

Robert Ames

Robert Ames

Johnny Case

Hedda Hopper

Hedda Hopper

Susan Potter

Hallam Cooley

Hallam Cooley

Seton Cram

William Holden

William Holden

Edward Seton

Creighton Hale

Creighton Hale

Pete Hedges

Mabel Forrest

Mabel Forrest

Mary Jessup

No Image

Elizabeth Forrester

Laura Cram

Monroe Owsley

Monroe Owsley

Ned Seton

No Image

Wilson Benge

Butler (uncredited)

🎬Crew

Director

Edward H. Griffith

Writers

Horace Jackson

Producers

E.B. Derr

🖼️Gallery (6 images)

Holiday backdrop 1
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🏷️Keywords

new year's evebusinessmanwealthworking classblack and whiteattractionfamily conflictpre-codecourtshiphigh societyengagement partyclass distinctiondrunkennessmaking moneysisters relationship

💬Reviews (1)

C

CinemaSerf

2/15/2024

A pretty wooden Ann Harding tops the bill here in this rather stagily delivered rom-com. She ("Linda") is the independently-minded daughter of a wealthy family whose sister "Julia" (Mary Astor) has a whirlwind romance and wants to get married. Thing is, her intended "Johnny" (Robert Ames) doesn't quite measure up to expectations of blue-blooded father Edward" (William Holden) but "Linda" takes quite a shine to his free-spirited attitude, especially when he declares that he wants little of her family's wealth, but to retire early and enjoy the simple things in life. "Julia" isn't so impressed with the prospect of having an "idler" for an husband and so a denouement with all concerned looks set to recalibrate the relationships and reveal the truth about these characters. It's watchable enough, this, but the presentation is very stilted. The actors seem to be too pre-occupied seeking their cue spots to deliver their very set-piece lines for much of this sitting-room drama naturally, and that is especially obvious with the little thinly-stretched humour Philip Barry's original play provided. It does take a gentle swipe at new versus old money and at double standards, and would probably work quite well in a theatre, but on screen it's all a bit static.

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